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  • 6
    Aug
    2012
    10:00am, EDT

    Chance as a photographer's tool: 'Shooting from the hip' in Chicago

    Scott Strazzante / Chicago Tribune

    Shooting from the Hip street photography in Chicago, IL. Photograph taken with Hipstamatic on an iPhone.

    By John Makely, NBC News

    A combination of chance, timing and an unobtrusive way of documenting communities.

     Chicago Tribune staff photographer Scott Strazzante’s “Shooting from the Hip” blog features street-photography from the neighborhoods of Chicago with unpredictable compositions that offer a genuinely candid look at the people and their lifestyles.

    Scott Strazzante/Chicago Tribune

    Shooting from the Hip street photography in Chicago, IL. Photograph taken with Hipstamatic on an iPhone.

    Key to Strazzante’s aesthetic is a method of shooting without always looking through the viewfinder.  Despite the uncertainty that it can bring Strazzante says, “chance became one of the tools in my arsenal.”

     Getting the shot while literally shooting from the hip is actually a well-honed skill. Scott began years ago with film cameras that had removable prisms which allowed him to compose while positioning the camera at high or low angles to get unique views. Not bringing the viewfinder up to his eye enables him to capture natural moments without his subjects reacting to his camera and also expands his field of vision.

     “If I shot from the eye, I might be walking down the street and see a moment but as I’m lifting the camera to my eyes it might be gone.  So now it’s almost just part of my thought process where I see it and I shoot it.”

    Scott Strazzante / Chicago Tribune

    Bus stop. Photograph taken with Hipstamatic on an iPhone.

    Scott Strazzante/Chicago Tribune

    Shooting from the Hip street photography in Chicago, IL. Photograph taken with Hipstamatic on an iPhone..

    “One of the other byproducts for shooting from the hip is that I have a wider range of vision to see moments coming together.  I can see the guy with the big Afro coming down the street while there’s a woman with a crutch coming in from this way and then there’s a person with a balloon so I can kind of wait till they all intersect.”

    “I wanted my blog to be a little more free-flowing and just kind of my thoughts, but it kind of turned into more literally shooting from the hip.  One of the things that I think over the years of being a newspaper photographer that started to grate on me was that every place I went outside of a sporting event, people knew I was there.”

     “They knew they were being photographed.  And obviously, that kind of influenced what they would do, they would either do something for the camera or they would have this knowing expression on their face that they were being photographed and for me that kind of ruined the photos.”

     Strazzante started with the “shooting from the hip” method as a way to avoid that camera awareness of his subjects.  “No one is putting on a show, even though they are in public, they still have a reality to it.  There’s not any kind of influence from me because I’m just another pedestrian,” he said.

    Scott Strazzante/ Chicago Tribune

    After rushing for a career high 205 yards, Chicago Bears' Matt Forte meets Carolina Panthers' Steve Smith at midfield after Bears' 34-29 win in NFL game at Soldier Field in Chicago, IL on Sunday, October 2, 2011. Scott Strazzante took this picture by reaching around other photographers to get the right angle.

    Additionally, Strazzante discovered a path to a newfound creativity along the way.  “I came to realize that the compositions that I made that were more happenstance are more interesting than the ones that my brain could put together.  I really enjoyed that surprise of, oh, this leg is in there framing this or, I got low enough for this, all this was in the frame.

    One example of this came at the end of a Bears football game in which running back Matt Forté ran for over two hundred yards.“I knew I had to rush out on to the field and get some sort of post-game Matt Forté. photo.”

    Scott Strazzante/ Chicago Tribune

    Second version of the meeting between Matt Forte and Steve Smith. Photographer Scott Strazzante was able to line up the image after the media cleared.

    After finding Forté mid-field with Steve Smith of the Carolina Panthers, surrounded by other media, Strazzante reached around another photographer to get the shot of the players together ( at left ) without looking through the viewfinder. “Matt Forte’s entire head was obliterated by sun, and then people kind of cleared out and then I moved over and I stepped into the correct exposure and I shot it with my eye. “

    “I went back and I compared like the photo I took just kind of reaching down which I thought was a super creative and interesting, I really liked it and then I looked at the photo that my mind put together and it was just this boring expected newspaper image. It’s like what I’ve been trained over the years to make.”

     

    “I have this kind of schizophrenic line in my work where I have my creative, out-of-control photographs from the iPhone or “shooting from the hip”. Then when I’m shooting through my-- with my eye, with my brain, sometimes I get trapped in this newspaper-world of all these years of expectations of editors telling me ‘the horizon can’t be crooked’ or ‘it has to be in focus’.”

     “These things that have been ingrained in my head for years and years that I sometimes have a hard time mentally breaking through with that, and I feel I have all this freedom when I’m shooting for my blog that sometimes I forget to put into my daily work because my editors at the Tribune, they’re almost constantly telling me,  Scott,  please, be as creative with your daily assignment, as you are with your blog work because we like that.”

    Scott Strazzante / Chicago Tribune

    Photograph taken with Hipstamatic on an iPhone.

    Scott Strazzante/Chicago Tribune

    Maywood Park Racetrack in Melrose Park, IL

     Strazzante borrowed his daughters iPhone on a family trip last year and was quickly hooked.

    “In December I got my own iPhone and then it slowly replaced my professional cameras as my street photography weapon of choice.  Then I started doing Instagram, and now I’ve completely stopped doing street photography with my normal camera. Now I just use the iPhone exclusively because I really just love the Instagram community and it’s been really a fun thing for me.”

     “I feel that I have the right to photograph anyone on the street I want...but there will be some photographs that I won’t published because I just think they are almost cruel.  So there are definitely some photographs I won’t publish,  but there’s no photograph I won’t shoot because I just don’t know how it will turn out.”

     

    Related links:
    • See more of Scott Strazzante's work on his 'Shooting from the Hip' blog on the Chicago Tribune website.
    • View Scott Strazzante's "Common Ground" project which explores the evolution of one plot of Illinois farmland into suburban neighborhood.
    • Follow Scott Strazzante on Twitter here or on Instagram here.

    Scott Strazzante/Chicago Tribune

    Shooting from the Hip street photography in Chicago, IL.

    Follow @NBCNewsPictures

    •Sign up for the NBCNews.com Photos Newsletter

    13 comments

    These pics are not worth showing to anyone...almost anyone I guess. Marginal at best

    Show more
    Explore related topics: chicago, photography, photojournalism, featured, iphoneography, commentid-featured, shooting-from-the-hip, scott-strazzante
  • 11
    Jun
    2012
    7:29am, EDT

    Help sought to solve Civil War photo mystery

    Steve Helber / AP

    Private Thomas W. Timberlake of Co. G, 2nd Virginia Infantry found this child's portrait on the battlefield of Port Republic, Virginia, between the bodies of a Confederate soldier and a Federal soldier.

    Update, 11.00 a.m. ET — This post has been updated with all eight photographs in a larger size below.

    By David R Arnott, NBC News

    The Museum of the Confederacy is appealing for the public's help in identifying the subjects of eight photographs picked up on the battlefields of the Civil War. 

    The Associated Press reports that the images are being publicized in the hope that a descendant might recognize a facial resemblance or make a connection to the sites where they were found: 

    Museum officials can only speculate on the children and adults, including soldiers, shown in the photographs. But whether they were sons and daughters, fathers and mothers, or siblings the prospect of identifying each grows dimmer with the passage of time.

    Typically they were found by another soldier and handed down through generations. Ultimately an attic would be cleared or a trunk would be emptied and the photo would be given to the museum. Some have been in the museum's possession for 60 years or more.

    If you can help identify the people in the photographs, get in touch with the museum or connect via Facebook or Twitter.

    Read more about imagery of the conflict at the Center for Civil War Photography.

    Related content:

    • Hundreds of Civil War photos unearthed
    • 150 years on, 3-D Civil War photos unveiled
    • How Civil War photography changed war

    Follow @msnbc_pictures

     

    The Museum of the Confederacy via AP

    A Daguerreotype of a woman and two children found in the effects of a soldier identified as Joseph Warren.

    The Museum of the Confederacy via AP

    This Ambrotype image of an unidentified woman was found in the effects of a soldier identified as Joseph Warren.

    The Museum of the Confederacy via AP

    An Ambrotype photo of an unidentified soldier, who left this image of himself with Mrs. L.M.C. Lee of Corinth, Mississippi, on the eve of the battle of Shiloh. The soldier never reclaimed his image and was presumed to have been killed in battle.

    The Museum of the Confederacy via AP

    An Ambrotype photo of an unidentified soldier, who left this image of himself, a woman and two children with Mrs. L.M.C. Lee of Corinth, Mississippi, on the eve of the battle of Shiloh. The soldier never reclaimed his image and was presumed to have been killed in battle.

    The Museum of the Confederacy via AP

    A tin-type photograph of an unidentified man. The tintype and a bible with the name of John Brice in it were found in a tent somewhere in North Carolina during the Civil War.

    The Museum of the Confederacy via AP

    An Ambrotype photo of an unidentified young militia lieutenant, that was found on a battlefield near Richmond, Virginia, and donated to the Museum of the Confederacy in 1936.

    The Museum of the Confederacy via AP

    An Ambrotype image of an unidentified child found by Pvt. Heartwell Kincaid Adams of the 3rd Virginia Cavalry, in a haversack he took from the body of a dead Federal soldier at High Bridge a few days before Appomattox.

    The Museum of the Confederacy via AP

    An Ambrotype image of an unidentified child that was found by Confederate Private Thomas W. Timberlake of Co. G, 2nd Virginia Infantry. Timberlake found this child's portrait on the battlefield of Port Republic, Virginia, between the bodies of a Confederate soldier and a Federal Soldier.

    Steve Helber / AP

    This Gem daguerreotype locket was found by a soldier in Hampton's cavalry brigade on a battlefield in 1863.

     

    240 comments

    If you can help identify the people in the photographs, get in touch with the museum or connect with them on Facebook or Twitter. I don't think the people pictured in the photographs have Facebook or Twitter;-)

    Show more
    Explore related topics: conflict, civil-war, photography, us-news, featured, from-the-archive
  • 27
    Aug
    2011
    1:41pm, EDT

    See Hurricane Irene through the eyes of iPhone users

    Instacane

    By Rosa Golijan

    Instagram — a popular iPhone-based photo-sharing service (and app) — is currently chockfull of hurricane-related images. But what if you only wanted to see those photos right now — without having to see even a single image uploaded by someone who doesn't care about the weather? You can — thanks to Instacane.

    Instacane is a clever website built by Chris Ackermann and Peter Ng of the New York Times' R&D lab. It basically serves as a collection of photos related to the storm, how people are coping, and what the sky looks like in various locations.

    There aren't details regarding how the photos are gathered up, but we believe that adding an #instacane tag to an Instagram image might earn your snapshots admission to the site.

    As someone who is currently looking out the window and seeing a — for once — hurricane-free Florida landscape, I'm getting quite a chuckle out of some of the images on Instacane. Based on them, all I need to worry about in the event of a hurricane is whether I've got enough Nutella, booze, and snazzy boots. (Oh, and something to prevent all those baby photos...)

    Take look for yourself — the site appears to be updated regularly with more images — and see if the impression I'm getting is entirely off.

    Related stories:

    • How to prepare, really, tips from a hurricane vet
    • Get support and info on Hurricane Irene network
    • How to track Hurricane Irene online

    Rosa Golijan writes about tech here and there. She's obsessed with Twitter and loves to be liked on Facebook. Oh, and she can be found on Google+, too.

    Comment

    Show more
    Explore related topics: hurricane, internet, photography, featured, instagram

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